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whereby the composer and Thomaskantor probably only had eight able singers for the tutti in Leipzig around 1780
Lieder and choruses and
The concertante style is all the more significant in the first aria for contralto
Using a device which was surprisingly dramatic for a Baroque church cantata
Weißt du, wie viel Sternlein stehen (with CD) AL27724 whereby the composer and Thomaskantor
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